PHOTOGRAPHY > DxO FilmPack > Available Film Looks

Available Film Looks

List of films and filters included in DxO FilmPack v2 and their rendering characteristics.
Except for the “Polaroids”, the figures indicate the ISO speed of the film.

Color positive films

Fuji Astia 100 F	Soft film, portrait, night scenes
Fuji Provia 100F	Neutral film, all purpose
Fuji Provia 400 F	Neutral film, photojournalism
Fuji Provia 400 X	Saturated film, photojournalism, landscapes
Fuji Velvia 50	Highly saturated film, landscape, travel
Kodak Kodachrome 25	Fairly cold film, landscape, seventies rendering
Kodak Kodachrome 64	Reddish film, landscape, studio, photojournalism
Kodak Kodachrome 200	Saturated film, dark shadows, photojournalism
Kodak Ektachrome 100 VS	Saturated film, landscapes
Kodak Ektachrome 100 GX	Neutral, saturated film, portraits, photojournalism
Kodak Extracolour 100	Very warm, highly saturated film, travel,landscape
Kodak 200	High speed fairly neutral film, travel, photojournalism
Kodak Elitechrome 400	High speed grainy film, photojournalism

Generic positive films (without grain profile)

Générique Kodak Ektachrome 100 VS	Saturated landscape style
Générique Kodak Kodachrome 64	1980s style
Générique Fuji Astia 100	Portrait style
Générique Provia 100	Neutral style
Générique Velvia 100	Landscape style, saturated

Instant color positive films

Polaroïd Polachrome	Cool film, lined structure
Polaroïd 669	Rather neutral film, portraits
Polaroïd 690	Rather saturated film, studio, still life
Fuji FP 100 C	All purpose, fairly saturated film

Color negative films

Agfa Ultra 100	Highly saturated film, landscape, studio
Agfa Vista 200	All purpose, saturated, “general public” film
Fuji 100	Portrait, wedding film, soft tones
Fuji Superia 200	All purpose, mass public film
Fuji Xtra 800	High speed film, saturated colors, photojournalism
Fuji Superia 1600	High luminosity film, weakly saturated
Kodak Elitecolor 200	All purpose film, neutral and saturated colors
Kodak Elitecolor 400	High speed all purpose film, neutral and saturated colors
Kodak Portra 160 NC	Portrait and wedding film, soft tones
Kodak Portra 160 VC	Photojournalism film, neutral but saturated tones

Black & white films

Agfa APX 25	Very fine grain, high contrast film
Fuji Neopan Acros 100	Very fine grain film, soft style
Fuji Neopan 1600	High speed, medium grain film
Ilford Pan F Plus 50	Very fine grain, high contrast film
Ilford FP4 Plus 125	Fine grain film, neutral rendering
Ilford HP5 Plus 400	High speed, visible medium grain film
Ilford HPS 800	1970s coarse grain photojournalism film
Ilford XP2 400	Chromogenic, ultra fine grain film
Ilford Delta 400	Very fine grain photojournalism film
Ilford Delta 3200	Ultra high-speed coarse tabular grain film
Kodak BW 400 CN	Chromogenic, ultra fine grain film
Kodak Tmax 100	Ultra fine grain portrait and landscape film
Kodak Tmax 400	Fine grain photojournalism film
Kodak Tmax 3200	Ultra high-speed coarse tabular grain film
Kodak TriX 400	High speed grainy photojournalism film
Kodak IR	Infrared film
Kodak IR filtré	Infrared film with red filter
Rollei IR	Infrared film

Instant black & white films

Polaroïd 664	Soft rendering
Polaroïd 667	Light rendering
Polaroïd 672	Saturated rendering

Color filters

Warm tones	Warms the image toward red tones
Cool tones	Cools the image toward cool tones

Black & white filters

Red	Dramatic black & white
Deep orange	Dramatic black & white
Orange	Intense black & white
Yellow	High contrast skies
Green	Emphasizes plants
Blue	Emphasizes skies

Toning

(rendering according to photographic paper used)

Gold

Selenium

Ferrous sulfate

Sepia

Gold sepia

Earth sepia

DxO Optics Pro v5.3.4 available

What’s new in DxO FilmPack v2?

Picto_Duggal

27 new film profiles
8 new color filters
Improved interface
Learn more

Technology

The precision and ease of simulating film renderings in your digital images was made possible thanks to the well-known measurement and calibration knowledge of DxO Labs, allowing the modeling of the colorimetric responses of silver-halide films. For the modeling process, great care was taken in the development of these films, which was entrusted to major professional laboratories in Paris and New York (PICTO and DUGGAL).
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Picto_Duggal